Hello everyone! We’re Dark Knight Minute. Let us introduce ourselves, our love of Batman and Batman Begins. We hope you enjoy!
I don’t know how many people have heard of the Velerian and Laureline comic series before the trailer of this movie started popping up everywhere. I certainly haven’t, but if you don’t know it’s a french sci-fi comic series that was allegedly an inspiration for Star Wars and other Sci-fi franchises. The trailer looked pretty cool so I figured I’d check it out on $5 Tuesday. Is this the next Star Wars or is it going to pull a John Carter?
- The production design on this movie was top notch. There was a bit of Star Wars, Star Trek, Mass Effect that was really cool but ended up having unique designs that stood out from other franchises. The world and characters were truly realized and you can tell that this was what the filmmakers was hoping to do. It was a truly visual splendor to watch.
- While the movie looked pretty, it was boring and directionless for most of the movie. My friend fell asleep near the beginning and I didn’t feel the need to wake him until he started snoring. The set pieces were exciting by themselves, but failed to push the overall plot forward. Which only lead to me asking “When are we getting back to the plot?!” several times during the second act. It really felt more like a video game that required you to complete several side quests before advancing the main story. Works great in a video game but not in a movie. The movie really needed structure that would allow the scenes to push the plot forward. Much like BvS, this movie is nothing more than trailerbait, with cool looking scenes but we could care less because they don’t drive the movie forward.
- The actors weren’t too bad but the writing for these characters wasn’t thought through. Valerian is made out to be a womanizing loose cannon that is full of himself but also very effective. He then only flirts with Laureline, whom he professes to love exclusively. Goes out of character to object to disobeying orders near the end of the movie. This is one of the many examples of characters acting out of character for plot convenience.
- It’s full of annoying cliches that keep popping up. Was the preachy message of the noble savage from Avatar too annoying for you? It’s here in this movie too. Hated the “love conquers all” from Interstellar? There’s a bit of that here too. Hate it when difficult decisions made in the heat of battle are turned into a simple “Because I’m war-mongering imperialist pig.” There’s that too. This is all in one scene by the way.
Awkward Walk-In Meter: 2/5
There’s one scene where Valerian has to make a detour in the red-light district to find a shape-shifting working girl. The dance she does is impressive on a technical and visual level, but also rather suggestive. I don’t remember any strong language and the violence is PG-13 level.
It’s pretty apparent that I didn’t like this movie that much. It’s a real shame because there was some clever and unique set pieces in the movie. But the story and plot didn’t hold it together at all and makes it difficult for you to care about what’s going on. Had they hacked a bunch of scenes, rewritten it to make a cohesive plot and fixed the character problems this would have been a fun sci-fi adventure. But you can skip on this one, which I don’t think needs to be said since the movie bombed over opening weekend. No one saw it, so I guess this is the new John Carter.
I’m always excited to see a new Christopher Nolan film out. He’s been using his popularity to direct a wide variety of films, with the Historical War Epic being the most recent. How does his style work in the war film? Does it live up to other war epics? Let’s sink into this, shall we? (Pun totally intended)
- On a technical level this is a masterpiece of film. Shot on IMAX (which I highly recommend seeing it in if you can) cameras this film is gorgeous to look at. Some might be tired of the desaturated color palette that is common in war films, but this film truly deserves it as it fits the tone of the film perfectly. There is color at other parts of the film where it is needed too. But I must stress this again, if you have a IMAX theater near you playing this movie (or even better a 70mm film screening) it is absolutely worth it.
- The sound design maybe a bit on the controversial side as the focus of the mixing is on the chaos of war and visual storytelling, so the dialog is sometimes difficult to hear. That said, the dialog isn’t terribly important as the character actions are what drives the plot forward, not any exposition. The booms are loud, the bullets are deadly and it was truly am immersive experience as the sound really envelops you into the Beaches of Dunkirk.
- This is an unusual war film in the fact of how it shows war. The early WWII films were more-or-less action films with clear heroes and a glory that surrounds the conflict of war. The post-Vietnam war films were much more brutal and cynical as it depicted the dehumanizing effects on war. I don’t really think Dunkirk really fits in any of those paradigms. Firstly, this is a war movie about a crushing defeat of the allied troops early in the war before America gets involved. So there isn’t any glory or victory awaiting the troops on Dunkirk. The only victory at this point is survival. This depiction of war is unlike any war movie I’ve seen. It’s fresh and unique to this story where the only goal for most of these characters is to not die.
- This is more of something I anticipate that people may struggle with than any personal criticisms I have. Like most of Christopher Nolan films, the structure of this film is not at all straight forward. This is something that I love about Nolan films is his use and mastery of structure is the best in the business today. However, some people might get lost as there are three distinct but overlapping story arcs that happen. First is a group of young soldiers on the beach trying to get off the beach and back home. The second is a English citizen and his two sons taking their boat across the English channel to Dunkirk. The final is the story of two BAF pilots fighting the German planes over the channel. Just know that the story is told on emotional beats of each arc and isn’t chronological.
- There is a scene involving a lock that I won’t spoil for you. What I will say is that there was some buildup but the conflict dies down way too quickly. Didn’t really pay off for me.
Awkward Walk-In Meter: 3/5
While the blood and gore isn’t nearly on the same level as Saving Private Ryan, this movie is really intense. Suspense is a driving force in the film and it might be much for kids to handle. There is also a couple ‘F’ bombs, but not enough to warrant an R rating.
I really liked the film. Again, on a technical level is was a totally immersive and chaotic film that really justifies a large-format viewing like IMAX. The story is tense throughout the film and you can never predict what is going to happen. Especially since Dunkirk isn’t talked about often in WWII history (at least for Americans) as most of the stuff we discuss is the push back on and after D-day. So yeah, I guess this film is an unofficial prequel to Saving Private Ryan if you really want to look at it that way. That said, this is a worthy Nolan film, I can’t say it’s one of my favorites but good none-the-less.
Now that Konami has abandoned many of it’s iconic video game series for Pachinko machines, the future of many beloved series have been put into question. Castlevania, one of the oldest and largest of these series may not have much of a future in video games but perhaps in other media. Netflex has produced an animated series based on the video games (particularly Castlevania 3: Dracula’s Curse). But is it even worth it, will the series suffer the same fate as other movies and TV shows based off of video games?
- The animation is pretty solid. It has a bit of an anime vipe to it but I wouldn’t call it anime either. It’s sort of the same style as The Boondocks. They got the setting of gothic medieval Europe down really well too. It’s a very bleak and dark show, which is good for a Castlevania series.
- Considering this is only four episodes long, they did a good job at establishing the characters and their motivations. I would say this is more true for Trevor Belmont and Dracula than some of the other but as they are the two main players in the series, I think other seasons could develop them and the other characters further.
- Richard Armitage did a great job voicing Trevor Belmont. He was one of the things I really liked about the Hobbit series, and has such a great voice.
- Speaking about the voice acting, the accents on many of the side characters were confused. Even then, it’s rather nick-picky as the geographical area isn’t clearly defined in the series.
- The season as I said earlier, is only 4 episodes long with a total run time of 88 minutes. I wonder why didn’t they just have it be a movie? I was definitely wanting it to be longer. Hopefully further seasons will be.
- I don’t know if the sound mixers forgot to compress Dracula’s dialog or what, but he was much harder to hear than the other characters.
- While the soundtrack wasn’t bad by any means, it was rather disappointing that they didn’t take any musical ques from the video games, which has some of the best video game music ever created. So don’t be expecting Vampire Killer or Bloody Tears to be playing.
- They didn’t break any candles or find pork chops inside the wall.
Likes and Dislikes:
- The action is really over-the-top, gory and fun. But there weren’t nearly enough action scenes in my opinion. Maybe it just comes down to me wanting more, which isn’t a bad thing. It felt like one episode only had one minor fight scene which is kinda disappointing.
- (Spoilers) Dracula isn’t even the main antagonist in the series, I would say that would be the Bishop and Priest of the church. The thing that bothered me is that slamming on a church for hypocrisy and backwards thinking is done so many times its become a cliche. The thing I did like is later in the show, a demon talks with a Bishop in the church and tells him that it was the hypocrisy and wickedness of the Bishops and Priests that made them lose the favor and protection of God. I liked how it was priestcraft and not the church itself that was evil. It is shown later that there were Priests in the city that was worthy enough to make holy water to fight the demons. So thank you for subverting the expectation and not using the “church is bad” cliche.
Awkward Walk-In Meter: 4/5
This is rated TV-MA which is the equivalent of R. The show is really gory and bloody. You’d expect blood in a show about vampires but it’s pretty extreme. Demons are shown in graphic detail ripping people apart and leaving a gory mess everywhere. There is also a considerable amount of language including a bunch of F bombs. It’s rather light when it comes to sexual content but the violence and language is enough that you better keep the kids away.
Overall: If you’re a big fan of shows like Vampire Hunter D, you’ll fit right in. While it wasn’t a masterpiece by any means, it was a enjoyable show none-the-less. If you’re a fan of the Castlevania games, I would also recommend checking it out. Just be mindful that this show is not for kids and if you don’t handle gore very well you probably shouldn’t see it.
Spider-man has had many faces in the past. Each actor who has played him has had a different take on who Spider-man is. Who is this new Spider-man going to be? We have already had a little taste of who our new Spider-man is in Captain America: Civil War but as we really get to know him in Spider-man: Homecoming how will he compare to the others? Let’s dive in and find out.
- This is the youngest Spider-man that we have seen. In Homecoming Peter Parker is a sophomore in high school and only 15 years old. The previous two Spider-men were seniors and high school grads. Having him this young with so many parts of regular life left to figure out and sort through was fun and interesting. We also get the youngest Aunt May as well.
- Spider-man doesn’t have all of the answers. He like any kid that age is really trying to figure every thing out. Tom Holland really sells that he is a 15 year old, he does the teenage rebellion, taking on more than he can chew, angst, and so much more so well. He deals with things that every teenager deals with on top of his super powers. It felt very real and relatable.
- The way Peter was portrayed as an outsider was way more realistic. In the past two Spider-man series, Peter is usually picked on in fairly exaggerated and violent way. In Homecoming he is more verbally and emotionally bullied which is, in my experience, far more realistic.
- The effects and fights overall were really cool to watch and looked great.
- It was pretty funny but not too over the top like Guardians of the Galaxy Vol. 2 was.
- I would say that Tom Holland has become my favorite Spider-man. Not only does he pull of a geeky yet likable Peter Parker, he also has the energy and quips for a good Spider-man.
- The villains for the Marvel movies are usually fairly weak (except for Loki of course). I wasn’t sure how they’d pull off Vulture as he was a B-list Villain at best. But Michael Keaton pulled off a performance that made him much more likable and memorable than most other villains in the MCU.
- There were a couple of times when Spider-man is climbing up walls, and running across rooftops where his movements are somewhat unnatural and it is clearly computer generated. But other times he looks great. It would have been better if they could have kept those effects more consistent.
- Yeah we get it, Aunt May is hot. You don’t have to have 3 jokes back to back at the beginning about it.
Awkward Walk-in Meter: 1/5
Spider-man: Homecoming was very clean and fun and the only thing that could be frighting at all is the peril that comes from Spider-man’s fights with the bad guys.
Bullies have a nick name for Peter which is Penis Parker.
This movie was a lot of fun and in my opinion the best Spider-man yet. The humor was there as you would expect from Spider-man but it wasn’t over done. I felt he was way more relatable, and acted closer to how a teenager in this situation would really act. The story and arc for our hero is good. One major twist I did not see coming, and I’m happy that this one genuinely surprised me. Definitely go see this one and stay for the mid credit and post credit scenes.
I think this may be equal to or even greater than Spiderman 2 in quality. It was obvious that Sony let Marvel do what they wanted and not ruin it. The humor was on point but still had a solid character arc about Peter learning what it means to be a hero. I was worried about Superhero fatigue until I saw Wonder Woman and Spiderman: Homecoming. So far 2017 has been a solid year for the comic book super hero films.
I’m afraid that I don’t have anything profound to discuss concerning the Transformers series. I don’t have any psychological reasoning or a hidden message that the Transformers movies tries to teach us to explain why these movies are still making money. This can’t be nostalgia, can it? I wouldn’t know because I was right after the Transformers as a kid. I didn’t grow up with the cartoon or the toys.
All that I know is that after 10 years, Hollywood is still making these movies despite poor reviews and generally a “meh” audience response. It isn’t like anyone I’ve talked to actually likes these movies. The first one was dumb but at least a little fun. The second one was so bad that I swore off the series completely. The only Transformers apologist I talked to tried to talk me into watching the third movie only because “it was better than the second one.” Unfortunately the second one was one of the worst things I’ve ever seen. Heck, Dragonball: Evolution was better than Revenge of the Fallen (oh yes, I just went there). At least I could follow what was going on in Dragonball.
The fourth movie was trying to go into a different direction at least, by that I mean statutory rape jokes. Every time one of these movies comes out, I just keep hearing about how terrible they are. I go to Rotten Tomatoes this morning and saw that The Last Knight got a 16% score. Keep in mind that is lower than even Revenge of the Fallen (19%). Granted it could change as there was a review embargo and critics may need to wait until today to see it. Even then, a review embargo usually means that the movie is crap and they don’t want bad review scores affecting opening weekend revenue. Fortunately for us, the internet has sped up the word-of-mouth process to where a review embargo makes little difference.
The thing that irks me is that despite every sequel being a let down, the movies are still making money. A lot of that can be due to international box office revenue. However, the blame is on all of you who go see it. I would include myself to be fair but I haven’t seen a Transformers movie since Revenge of the Fallen. I’m doing my part but not giving them any of my money. In short, stop watching these movies. Let it crash and burn and die already. Hollywood will stop making these movies when we stop going to them, it’s that simple. In a capitalist society like ours, our money is our vote to what we want the industry to provide.
Stop pretending that this one might be the one that is good, we have 4 movies as proof that the series isn’t going to improve. Sorry I don’t have anything substantial or meaningful to this rant, but there is nothing substantial or meaningful in these movies either. If you want to watch a fun action movie that is good, go re-watch Wonder Woman.
To put it mildly the DC Cinematic Universe has had a rough start. With the mixed bag of Man of Steel to the outright disappointment in Batman V Superman: Dawn of Justice and Suicide Squad. There’s a lot riding on the new addition to the DCU, the first live action film of Wonder Woman. Does this movie give the most popular female superhero justice, could it save the DCU?
- One of the biggest complaints of the DCU is that the films doesn’t depict the characters truthfully, which I agree in the case of Superman (a future article may come about this). One of the advantages of being the first movie for a character is that this movie isn’t going to be compared to other films. So the movie wasn’t compelled to reinvent the character, but rather was able to depict Wonder Woman in the same way as the current comics and animations do. So to answer the question earlier, yes, this movie does the character justice. This isn’t a super broody or edgy version from the 90’s comics, but rather the beginning of a naive but never-the-less heroic character learning about the world of man. It is refreshing to see a superhero movie look back to what made superheroes powerful story devices in the first place. In short, they got the archetypes right.
- One of the concerns I had with this movie was that it was going to be full of post-modern feminist crap. I don’t mean the egalitarian feminists but the misandry-fueled feminism. I was fully expecting very male character to be depicted as idiotic, cowardly, hate-filled brutes. However, they depicted the men in the film in a very human way, where indeed there was corruption but also valor. They also made Wonder Woman heroic by doing heroic things and not just by the virtue of being a woman. This is a clear example of how to do female superheroes, which is to treat them as heroes going through the heroes journey and getting the archetypes right.
- The actions scenes were incredible. There was something really refreshing about it and had an energy that isn’t seen much in modern action movies. I think there are two reasons for this, firstly is the context of the action. The best action movies are always character-driven. You actually care about the action because we care about the characters, which is why the action scenes in the original star wars trilogy were more memorable than the prequels. Secondly is that they actually took the time to properly choreograph and block the action scenes to make the action scenes easy to understand, get the action grounded and not rely on shaky-cam or overloading the shot with too many moving parts.
- The color grading was good, I was a bit worried since the war scenes looked nearly black and white, but there is color where it makes sense. The beginning on Paradise is very vivid but becomes muted when they get to the war. It made sense why they did it and I thought it looked great.
- One of the problems that I have had with the DCU is that it is just to serious and dark. The lack of humor (Batman vs Superman) is exhausting. Wonder Woman has remedied this. There was a fair bit of humor and it is all played out very well. Humor isn’t there for the sake of humor but is is all there for a reason. There is a lot of laughs that accompany Diana learn about the world of men. She never looked dumb or inferior, but it showed her innocents and naivety.
- Diana’s growth was very interesting to watch. You learn that she is very smart, and has a lot of knowledge that many others don’t. But as she starts to interact with Chris Pine’s character and ends up in the world of men you see how they she didn’t have a lot of our problems to deal with. As the movie goes on you see how she starts to adapt and learn how to survive, blend in and live in our world.
- The action scenes where amazingly done. I don’t think that I have seen this type of style before, it was very clean and easy to follow. However it kept me on the edge of my seat and looked amazing.
- I can’t think of anything that I really disliked about this movie. Maybe the London scenes might be a bit dull but I think it played an important part in teaching Diane about the world of man, her relation to it and what she needs to do to fit into that world. So nothing major here.
- The only things I had a little problem with was exactly what Luke said. The contrast from Paradise to London was so extreme that it was jarring. It was for a purpose however so it was forgivable.
Awkward Walk-in Meter: 3/5
There is a lot of attractive woman in tunics during the beginning. But nothing that’s intentionally provocative. In fact, there is a scene where there is more nudity of Chris Pine than the ladies (which is zoomed out and covered). There is talk about sex in one scene but nothing too graphic. The violence actually has weight to it but it isn’t bloody or excessive. The language is minor.
Just when I thought I was getting superhero fatigue after watching Guardians of the Galaxy Vol. 2, it was actually the DCU movie that pulled me out of it. And the reason it did was that it went back to basics. The director Patty Jenkins said that she wanted to go back to character over spectacle with this movie and it clearly shows.
As far as origins stories go, I hold this as high as the first Iron Man movie. Maybe not as high as Batman Begins, which I do have a soft spot for as it’s one of my favorites, but it is easily the best DCU movie to come out so far. Patty Jenkins needs to direct more big Hollywood movies, not because she’s a female filmmaker but she’s a good filmmaker that happens to be female. I now have hopes that the DCU can be saved, at least there is now one solid movie from it.
I was hoping that Wonder Woman was going to break DC’s current streak and it did. The tone of this one was so much better and more natural. There is always humor in life even if it is in the little things. This film was still more serious than many of the Marvel movies. It still had it’s light hearted parts and laughs naturally placed through out. The journey and self discovery that Diana goes through was enjoyable and very well executed. This is by far the best DCU film thus far. If DC continues down this path then we have a lot of good films to look forward to.
600 Years Through Dark Space
The only experience I have with the Mass Effect series is when I downloaded the demo for Mass Effect 3. I played a couple of minutes of it, had to put it down, then it was lost to memory until now. I’m not saying it was a terrible experience. I remember being fairly busy at the time. I was interrupted with something family related and just forgot to pick it back up. Mass Effect Andromeda’s story starts as the story of Mass Effect 2 concludes but before Mass Effect 3 starts. A rather creative approach as a lot of us, at this point, know how fairly hard it would be to continue after Mass Effect 3. This way, Bioware basically has a clean slate to keep this franchise going.
If only it was successful. I purchased the game on release day and before I could pop it in my PS4 to enjoy, it was already being torn apart by reviewers. A lot of which, if not all, were avid fans of the previous installments. Maybe this was just a case of nostalgia and longing for the glory that once was. The very case that plagues the Final Fantasy franchise. Having practically no experience of what Mass Effect really was about, I harbor no expectations and biased opinions towards the latest installment of the series and perhaps I can provide a different insight.
Minutes into the game and I am already annoyed. Aside from minor mission bugs that truthfully, weren’t game breaking in my case, we have dialog and all kinds of animation issues that start. That’s when I started to truly think about why this game is being ripped apart online.
The majority of which is very cheesy and, for a lack of better description, lifeless. The kind that brings a new and different appreciation for fan fiction authors (not all, but most) out there. Now couple that with lackluster voice acting and you have a recipe for a “skip every scene” button mash.
One of the first things you’ll most likely notice is the glaringly awkward animations. Be it your Ryder taking a stroll, jumping, dodging bullets, or just plain talking, its flaw is prominent. At times, my pathfinder runs like a discombobulated clay doll with extremities flailing about seemingly broken. At first, it was actually quite hilarious. But after the 3rd, 4th, the 20th time it occurred, it was no longer as well received. It shouldn’t have been from the start but it had amusement value then. Still, the worst of it all was the facial animation. Games like these that offer character customization, play into the vanity of us gamers.
At least for me, I try to make my characters as good looking and least comical as possible. I understand that looks are subjective but unless it’s on purpose, most of us want a decent looking character. I will have to look at him or her the duration of my time in the game. First, you are provided with meager options on the customization. With what was provided, I tried my best to create a decent looking pathfinder in a decent amount of time. My Ryder somehow came out with a perpetually surprised look. His eyeballs were ready to pop out of their sockets at any given time. Kinda hard to take him seriously especially in solemn, somber scenes. Why even give the option of customization when you’ll just end up distorting and disfiguring us?
Andromeda offered multiple classes to choose from that one can either customize according to play style or just settle for presets. Each class had its own passive and active skills, both defensive and offensive. I had a blast disposing of those that refused to be nothing more than a pebble in my shoe in fun and creative ways. It complimented the plethora of weapons Andromeda provides quite well. Where its lacking is armor. There are only a few to choose from and you can upgrade them to the max. You’ll need points that can be earned through missions(main and side), exploration, and discovery to upgrade your weapons and armor, so choose wisely where you allocate these points. The combat itself was average but I wasn’t expecting it to be breathtaking so it did its job. There isn’t much more to say really. One aspect I had nothing to gripe about.
The potential for something amazing exists in Andromeda. I mean, quite literally, there’s a new galaxy for it. You travel over 600 years through dark space trying to escape the threat of extinction in Mass Effect 2. You awake from cryostasis to find yourself at war with a genocidal alien race. You are tasked with the title of Pathfinder and all the responsibilities that come with it. It is your burden to find a new home for the thousands of humans and aliens alike that boarded this expedition. You’re in a monumental adventure, making history, and you would think that your decisions would actually matter. Outside of the main storyline and even in some cases, within in it, it doesn’t. Colonists are being plagued by deserters turned bandits in a recent uprising. You, the Pathfinder, finds a path to quell the injustice and you receive a very forgettable display of gratitude. And if that wasn’t insulting enough, such tasks and requests are duplicated in the rest of the habitable planets in the galaxy. There is no real consequence to the decision you make despite the game’s effort in urging you that there is. You do your valiant grandeur. Speak your eloquently moving speech. They move on indifferently, in most situations, and so do you to the next rehashed, reskinned call for help. I’ve noticed differences in dialog, so there’s that. Perhaps these adventures would be more meaningful and colorful if you brought along people to share the fun with. Well, you can have up to 6 characters that you can cycle through to form your party of 3 and go pathfinding. Each has their own unique backstory dictating their interactions with your Ryder’s decisions. Given the right response, sex, and preference, you can even have romantic relationships with them. Some of their conversations between each other can be humorous while others, annoying. I didn’t have any favorite and experimented with different combinations especially when doing their own personal quests to earn their utmost loyalty and still came out with generic results.
I suppose a sense of ownership and responsible expenditure saw to it and made sure I at least finished the game getting as much as I can out of my investment. But at some point, I had to tell myself that the fun was exceedingly fleeting when it was there and the rest resembles a Saturday morning chore. Some games rely on their replayability values through grinding for the best armor and the best weapon to own everyone that looked at you funny. And even in that same monotonous grind fun can be found if implemented correctly. A modicum amount can be found here and I feel like I’m being generous with that. It does have an online multiplayer function. But it has microtransaction temptations and nothing you accomplish there can be transferred to your offline file. It might as well be its own separate game.
Andromeda was fun–sometimes. But it was overwhelmingly disappointing; mind you, I came into this game with no expectations so that’s saying something. Don’t rent it, don’t buy it. If you must, I’d say wait for that huge price drop and hope that they had fixed the abundance of flaws (I’d list more but they do go on) that are littered throughout the game.
Unlike the title of the fifth pirates movie, seemingly dead franchises still have tales to tell. It’s been 6 years since the last pirates movie and 10 years since the ending of the Will Turner trilogy. Dead Men Tell No Tales takes place 19-20 years after At World’s End. So was the brief hiatus what the series needed to turn out a sequel that wasn’t lackluster? Does it stack up with the first pirates movie (the only good one)? Let’s find out, eh shavvy?
- The story is not a standalone Jack Sparrow adventure like the previous movie, but actually continues off the original trilogy where Will Turner is the captain of the flying dutchman, still cursed to ferry the dead at sea (an ending that I absolutely hated). The story continues with his son, Henry Turner, seeking the Trident of Poseidon, that has the power to break his father’s curse. I love that the film is basically seeking to fix the ending that I hated so much.
- The new villain played by the brilliant Javier Bardem, is truly a foe worthy of his infamy among pirates. The problem that many of the previous pirate movies had (except the first one) was the insistent of adding antagonists to the point where it’s hard to keep track of everyone’s motivations. This movie starts off as having a secondary antagonist but half way through the movie is taken out of the picture. I was relieved to say at least the plot wasn’t a muddy mess that the previous movies were. By the end of the movie, it was very clear who the protagonists and the antagonists were.
- The action scenes were dynamic and unique. Some were really outlandish but I had to remind myself that this was a movie about ghost pirates seeking a mythical trident. If you loved the silly action set pieces from the previous movies, then you’ll be right at home with this one.
- Captain Hector Barbossa was magnificently played by Geoffrey Rush. The amount of acting that he could do with just his facial expressions and how much he could convey was simply amazing. He went through the whole range of emotions and I love the arc that he has made through the series. Any time that he is on screen is great.
- The effects for this movie were top notch. The way Captain Salazar and his crew looked and what they were able to do was just amazing. The overall look of the movie was beautiful.
- While the new characters aren’t as boring as the previous movie, the next generation probably won’t have the lasting effect as the original characters. Carina, the new female lead was pretty good as the scientist astronomer which is different for the series. Henry Turner was just a less interesting Will Turner though. Jack Sparrow is beginning to lack his charm. They set up Jack to be a washed up has-been who is a dying breed of pirate which would have been interesting had they not promptly dropped it once the adventure started and he went about doing his usual thing. They really need to find a new angle for him, or maybe give him an arc for once, like the first movie.
- I don’t like the implications that the post credits scene made. The ending of this movie was quite satisfying and they’re trying to muddy it up with sequel bait.
- I was very disappointed with Jack in this film. In all of the other films he is almost always in control of the situation and if something doesn’t quite go his way he has back up plans. In this film he very rarely seemed to have a plan and when the plans he did have went wrong he didn’t have backup plans. I agree with Luke, he lost some of his charm and also some of his wit.
- The post credit scene was completely sequel bait and, I feel, didn’t make any sense based on how the movie ended. They are making and exception to the films resolution just for the sake of a sequel.
Awkward Walk-in Meter: 2/5
There is some suggestive humor in it that will likely go over the kid’s heads. Pirates drinking rum is a mainstay of the series. Some parts might be too scary for the little ones. It’s your typical PG-13 movie.
It’s safe to say that this movie is the second best pirates movie to date. Not hard to do as the last three were pretty lackluster. There are a lot of things this movie does right that the previous movies failed to do but it still doesn’t live up to the charm of the original pirates movie. If you were disappointed in the ending of At World’s End, you will want to see this movie as it delivers a much more satisfying conclusion for all your favorite characters from the first pirate films. So while this movie wasn’t great like the first movie, it was at the very least good.
Dead Men Tell No Tales was a good attempt to return to what the was so good about the first film. It didn’t quite make it there but there was still a lot of good in it. There was several touching moments that were lacking from many of the other films and several character arc were excellent. The ending of the movie was extremely satisfying and clean. If you are a fan of Curse of the Black Pearl then go see this one in theaters.
The first Guardians of the Galaxy was one of those great surprises that Marvel pulled out. Many people didn’t know about them and the hype wasn’t as big surrounding it. No one knew what to expect. It quickly turned into a favorite for many fans and introduced some very untraditional and very funny heroes. As we move on to Vol. 2 how will it compare with the first and fit into the Marvel Cinematic Universe?
- The comedy. This is really one of, if not the funniest Marvel movie to date. I laughed so much during this movie. Drax is always getting a laugh for his social ineptitude. Quill for his ill timed boasting and his love of retro things. Rocket and Groot are always such a good funny team.
- The Relationships. In this movie they explored and deepened the relationships between many characters. Now they didn’t go super deep but I was amazed at how many characters we gained a greater understanding about, and how much relationships grew between the characters.
- I’m happy that they actually brought color into a Marvel movie. While the first Guardians movie had color, they turned up the saturation quite a bit. Ironically many excuse DC of lacking color in their movies, but the fact is that the Marvel movies are really flat when it comes to color grading. This is not the case with this movie where there are dark tones, bright tones and an entire spectrum of color. This is easily the best looking Marvel movie to date.
- Space Jumps. In this movie they use a technology previously unseen, space jumps. The design of them is cool looking, but was confusing to me. It looked to me like they were breaking through a holographic wall and there was no sense speed or how far they were going. It also leads to a very goofy scene with Rocket part way through the movie that I didn’t care for.
- I don’t know why Disney has the need to introduce the antagonist late in the plot. It’s usually for some shock twist in the form of betrayals or motivation reveals. The main antagonist reveal is so obvious that the twist doesn’t feel earned. There also seems to be too many different sub-antagonists in the film that it starts to give me flashbacks to the pirates sequels.
- The ending is drawn out way too long. It was one of the few sober scenes and even then they tried to push too much comedy into it. The comedy for the large bulk of the movie was quite great actually, but the ending it just seemed inappropriate for the scene’s tone.
- There wasn’t much tension for the third act, as we go in knowing the a third movie has been approved and that the guardians are going to show up in the third Avengers movie. This is a problem with superhero movies as the planet destroying (in the case of this movie, galaxy destroying) super villain plot can’t happen for the sake of future movies. There could have been a more personal conflict to end the movie (like Civil War for example) where failure is actually possible (setting a more dire situation for the next film). Then the ending could be a lot more suspenseful.
Like & Dislike:
- I like how this movie shows just how powerful the guardians are. We see to a greater extent what they are capable of and they can do some really cool stuff. They show off their skills and it is awesome when they do. However there is a scene with Drax that I feel was just too over the top with how much punishment he can take with out a scratch.
- The post credit scenes are a bit overkill. There are a bunch of them and most of them are references to obscure comic series. There are two that I do like though, the first one then the middle one. Those are pretty funny.
Awkward Walk-in Meter: 2/5
There was a scene with what was implied as a android brothel but with nothing really shown except for a character finishing buttoning up his pants. The whole scene was very brief. There was also a little more language than normal and some talk of male genitals.
Guardians of the Galaxy Vol. 2 was a lot of fun and I really enjoyed it. I was laughing for so much of this movie and like how they did stick to using old songs for the sound track like the first one did. There was a lot of good character growth but every one keeps their personality and I was able to gain a better understanding of many of the characters traits. Make sure to stay to the very end because there are 5 post movie scenes sprinkled through out the credits. Is it as good as the first one? I haven’t decided yet and will need to go back and see it again to decide.
I agree with Adam where the movie, much like the first one, is a fun and entertaining movie. However the first one was different enough to be fresh, this one kind of felt like a bunch of other movies I’ve seen before. While it is the most visually stunning of the Marvel films, it lacked the deeper subtext, emotional core or ingenuity that has made other movies stand out in the superhero genre (i.e. Logan, The Dark Knight, Civil War). But it is still a fun popcorn movie that you can have a good and fun 2 hours.