Hi everyone! I know there has been radio silence for the past 5 or so months. We’ve been taking a much needed hiatus from podcasts and movie reviews. I’ve just submitted my application to Graduate School and Adam has a new baby around. So we’ve been super busy taking care of personal things during our time off. I am not at liberty to talk about when Season 2 of the podcast will drop but we’ll be making plans for that soon.
The main reason for posting this is to announce since I’ve been slacking on movie reviews this year, I’m going to be doing them all at the end of the year. This will be mini reviews so not super structured or anything and because they decided to dump a bunch of movies at the very end of the year, I won’t be able to do a top 10 list like I normally do. That will probably have to wait until next year. Also the reviews will be exclusive for this website. I’ve been cutting out Facebook so I’m not going to be posting on there anymore. So return here during the next couple weeks and we’ll probably have some new stuff for you!
I also wanted to take some time and talk about what I plan on doing next year. I’m not going back for another semester next year as I only went back to help with my application and want to save money. So I’ll have a lot more free time to write articles and reviews. But I want to do more than just reviews. Going back to school has reminded me how much I enjoy learning and writing. So even though I’m not in school, I want to use to this space to explore the research and other learning I plan on doing next year to prepare for Graduate School (acceptance pending). So I’m going to be posting on psychology, pop culture, film and video games. Figure this isn’t a stretch for a website whose logo is literally a brain with nerd goggles.
Happy Holidays everyone, and stay tuned for movie reviews!
In 1982, Blade Runner, the Ridley Scott film loosely based on Phillip K Dick’s Do Androids Dream of Electric Sheep, was shown to the world with lackluster box office sales. It wasn’t until the VHS release of the film did it find it’s audience and become a cult classic. The film’s dark noir-like setting, tone and world building would influence a new Sci-Fi subgenre called steampunk, making way for books, movies, and video games.
Despite the rough production and poor ticket sales. Blade Runner was rereleased twice, developed a huge fanbase and now after 35 years, a sequel. But does it live up to the classic that changed Sci-Fi?
- Anyone who watched the trailer should know how beautiful this film is. The movie as a whole is always interesting to watch. The production design is top notch, and truly oscar-worthy. While the original is one of the best looking films of the 80’s, I think it’s safe to say that this one holds true to the Blade Runner tradition of beautiful and haunting sets, a deep world and top notch cinematography.
- I don’t wish to spoil anything about the story as most of it has been kept secret. I will say that it is quite a bit easier to follow than the original. It really is the movie I think most people going into Blade Runner would be wanting. It’s smart and well-structured, which is good since it’s nearly 3 hours long. There’s a lot of plot twists, red herrings and everything else you’d want from a mystery film. But none of it comes out of the blue either. Hints peppered throughout the film give you clues. In the end everything does make sense (with the exemption of one minor detail). The story actually is better than the first film. However the original isn’t known for it’s well told story but its setting and special effects.
- Well done acting. I know that some of the jokes about the deadpan performance of Ryan Gosling as Officer K, but it’s rather appropriate for the film about a blade runner dealing with existential angst. Harrison Ford, while an important character doesn’t show up until past half way, but does a good job returning as Deckard. Jared Leto gives a haunting performance as Wallace as well.
- While we aren’t getting the great Vangelis back for the soundtrack, Hans Zimmer and Benjamin Wallfisch have composed a fantastic score that is very much at home with the Vangelis synch music from the first movie. Classic musical cues are brought back at important moments. They not only honored the original movie but added the visceral flair that the scene needed.
- This is a personal nitpick, but this film has less of the film noir mood than I loved about the original. The original movie takes place entirely at night or at least in twilight (the studio mandated ending in the theatrical cut doesn’t count). It was weird to see daytime scenes in a blade runner movie. Fortunately it’s never sunny so nothing is too beautiful. Then again, the scenes wouldn’t really work during night time either so again, I’m just trying to find fault at this point.
- There is a minor plot hole that I noticed. But I don’t think the movie should have stopped to fill it. The plot hole involves some semi-spoilers so I won’t go into detail.
Awkward Walk-In Meter: 4/5
This movie earned its ‘R’ rating for violence, sexuality, nudity and language. So there are some ‘F’ bombs dropped. The violence does get bloody but not super gory. I think the thing that may get people is the nudity. I would say that the nudity was at least used for reasons other than a cheap sexual selling point. The nudity at least as a purpose to it.
It’s safe to say that I really enjoyed the film. It performed it’s purpose of a sequel perfectly. This film adds to the original. It stands on its own and the world of Blade Runner has deepened and improved overall. It’s a movie I may have to watch few more times as I think it’ll improve over repeated viewings. If you’re a fan of the original Blade Runner then you must see this movie.
I’m always excited to see a new Christopher Nolan film out. He’s been using his popularity to direct a wide variety of films, with the Historical War Epic being the most recent. How does his style work in the war film? Does it live up to other war epics? Let’s sink into this, shall we? (Pun totally intended)
- On a technical level this is a masterpiece of film. Shot on IMAX (which I highly recommend seeing it in if you can) cameras this film is gorgeous to look at. Some might be tired of the desaturated color palette that is common in war films, but this film truly deserves it as it fits the tone of the film perfectly. There is color at other parts of the film where it is needed too. But I must stress this again, if you have a IMAX theater near you playing this movie (or even better a 70mm film screening) it is absolutely worth it.
- The sound design maybe a bit on the controversial side as the focus of the mixing is on the chaos of war and visual storytelling, so the dialog is sometimes difficult to hear. That said, the dialog isn’t terribly important as the character actions are what drives the plot forward, not any exposition. The booms are loud, the bullets are deadly and it was truly am immersive experience as the sound really envelops you into the Beaches of Dunkirk.
- This is an unusual war film in the fact of how it shows war. The early WWII films were more-or-less action films with clear heroes and a glory that surrounds the conflict of war. The post-Vietnam war films were much more brutal and cynical as it depicted the dehumanizing effects on war. I don’t really think Dunkirk really fits in any of those paradigms. Firstly, this is a war movie about a crushing defeat of the allied troops early in the war before America gets involved. So there isn’t any glory or victory awaiting the troops on Dunkirk. The only victory at this point is survival. This depiction of war is unlike any war movie I’ve seen. It’s fresh and unique to this story where the only goal for most of these characters is to not die.
- This is more of something I anticipate that people may struggle with than any personal criticisms I have. Like most of Christopher Nolan films, the structure of this film is not at all straight forward. This is something that I love about Nolan films is his use and mastery of structure is the best in the business today. However, some people might get lost as there are three distinct but overlapping story arcs that happen. First is a group of young soldiers on the beach trying to get off the beach and back home. The second is a English citizen and his two sons taking their boat across the English channel to Dunkirk. The final is the story of two BAF pilots fighting the German planes over the channel. Just know that the story is told on emotional beats of each arc and isn’t chronological.
- There is a scene involving a lock that I won’t spoil for you. What I will say is that there was some buildup but the conflict dies down way too quickly. Didn’t really pay off for me.
Awkward Walk-In Meter: 3/5
While the blood and gore isn’t nearly on the same level as Saving Private Ryan, this movie is really intense. Suspense is a driving force in the film and it might be much for kids to handle. There is also a couple ‘F’ bombs, but not enough to warrant an R rating.
I really liked the film. Again, on a technical level is was a totally immersive and chaotic film that really justifies a large-format viewing like IMAX. The story is tense throughout the film and you can never predict what is going to happen. Especially since Dunkirk isn’t talked about often in WWII history (at least for Americans) as most of the stuff we discuss is the push back on and after D-day. So yeah, I guess this film is an unofficial prequel to Saving Private Ryan if you really want to look at it that way. That said, this is a worthy Nolan film, I can’t say it’s one of my favorites but good none-the-less.