Racial Identity in Ghost In The Shell (2017) **Contains Spoilers**

44% on Rotten Tomatoes and $18.6 Million on the opening weekend. With these numbers, it is safe to say that the adaptation of Ghost In The Shell is an utter failure, both financially and critically. So why did I love this movie so much? Am I stupid for loving this racially-insensitive Hollywood cash-in or am I seeing something that everyone has missed or ignored? As amusing as it would be to make an article of me facing my own cognitive dissonance to realign my thinking to popular views, I think I’m going to do the dangerous thing: Have my own unpopular opinion and defend it. So here’s why Ghost In The Shell (2017) was great and why everyone missed the point of the movie.

Let’s start with the problem that many people have with this movie: the casting of Scarlett Johansson as Major Kusanagi, a Japanese cyborg counter-terrorist. Hollywood has had a lot of issues of racially insensitive casting for movies throughout its whole history. Blackface, yellowface, and redface were all commonplace for decades where white actors were put under make-up to play roles that are for other races. This allowed for the spreading of negative racial stereotypes that still continue to this day. While many improvements have been made in our current media, there are still examples of Hollywood whitewashing traditionally ethnic characters like in the live action The Last Airbender and The Lone Ranger. This article is not to defend such practices by any means. Minorities are extremely under-represented in popular culture, even today. However, in the context of the themes, story and world of Ghost In The Shell the casting of Scarlett Johansson was not only justified, but it also allowed the movie to take a self-aware look into how capitalist-driven corporations seek to change our identity for profit.

Ghost in the Shell Main Character

So in the movie, the plot is primarily driven by Major’s desire to find out who she is. The dilemma of that is faced with being a human-like cyborg but not completely human. In the world of Ghost in the Shell, many people have cybernetic implants. Some like the Major, have a completely synthetic body. So the way that many people retain their humanity is by having a “ghost.” A ghost is a mind, so the identity of a person is linked to the mind or their “ghost.” Both the new and the original movies show the problem with this as memories are hacked and altered by both cyber-terrorists like the Puppet Master or mega-corporations like Hanka Robotics. In both films, Major struggles with their own identity as she’s unsure if her memories are her own or are artificial like her body is. The animated film doesn’t seek to answer questions as to the truth of Major’s identity, rather it ends with her finding her humanity by ironically evolving into a higher and completely technological being by merging with The Puppet Master. This is where the live-action version differs.

In the live-action version, the central focus is on finding out Major’s identity. In the film, she is introduced as a (presumably American) refugee that survived a terrorist attack, thus giving her the motivation to hunt down terrorists in the anti-terrorism unit Section 9. However, after meeting with hacker Kuze, her identity is put into question and she seeks answers. She finds out that not only is the terrorist attack that killed her parents a fake memory implanted by Hanka, but her real identity (or ghost) is a Japanese runaway named Motoko Kusanagi (surprise!). So yes, The Major in the live-action movie is, in fact, Japanese, or specifically, she is a Japanese Ghost in the American Shell.

So does this justify white-washing Major’s character in the first place? Or, as some of the critics claim, a sloppy means for the filmmakers the hop around a sensitive issue? First of all, the story antagonizes the corporation that kidnaps children, brainwashes them with a new identity and then gives them a new body as a means to get profit. I don’t think the film is trying to say that changing a person’s race and identity for your own gain is okay. I’m happy that the filmmakers were ballsy enough to even attempt to be a mirror at Hollywood’s own race problem. Do you know how many actors and actresses needed to change their name to make them sound less ethnic? Charlie Sheen was born Carlos Irwin Estevez, his father’s name is Ramon Antonio Gerard Estevez, you know him as Martin Sheen. That is an example of only one actor out of many that had to change their name. The closure for The Major in the live action movie comes from discovering her real name: Motoko Kusanagi. Only then she is able to connect to the world around her, using not her American shell but through her Japanese ghost.

By the way, I asked two friends of mine, both of whom are Asian American, how they felt about the movie. Both of them enjoyed the movie and weren’t bothered by the casting. One of them even said that Scarlett Johansson did the character justice. The anime doesn’t even address her ethnicity so her race doesn’t affect her characterization at all. Ironically the one time it does is the American adaptation because it’s part of her character arc. The big irony in all this though is how everyone is upset that Hollywood changed the identity of the protagonist, and the movie agrees with you wholeheartedly.

If the plot itself isn’t enough to convince you, then I will start talking about the themes of the original animated classic and the cyberpunk genre as a whole. The opening text in the Ghost in the Shell (1995) says that “The advancement of computerization, however, has not yet wiped out nations and ethnic groups.” The key word in that statement is ‘yet’. The implications are important to understanding the multicultural themes in both cyberpunk and Ghost in the Shell. The original movie, Major does, in fact, transcend race and nation by merging with The Puppet Master and evolving into a computerized ghost without age, gender or ethnicity. The world of cyberpunk is filled with multiculturalism. Blade Runner is a world full of different ethnicities (primarily Chinese) even though it takes places in a future Los Angles. Ghost in the Shell is a Japan full of multiculturalism as well. Here’s an excellent video essay by The Nerdwriter about how Ghost in the Shell does this.

One of the themes in Ghost in the Shell is developing a world that is truly uni-cultural by the use of technology. When all differences are removed by uniting the world on a global network and controlling our appearance via synthetic bodies. However, this may present a problematic dilemma in the current discussion on race. Does this uni-culturalism mean that we should be color blind? What I mean by that is, does the mixture and evolution of multiple cultures mean we must lose our past in order to make a future where no race exists? I think the movie makes that clear when The Puppet Master says this:

“All things change in a dynamic environment. Your efforts to remain what you are is what limits you.”

The difference between the original animated film is that the live action film is about embracing your cultural identity. The ending is Major accepting her past and reuniting with her mother. This is ultimately what I loved about the live-action version is that is it not the same as the original. It is not a remake but an adaptation, which I think it did well for the current discussions on race which promotes the acceptance of one’s heritage, promote diversity and the tolerance toward other’s ethnicity.

So it would make sense for the cast of the new Ghost in the Shell to be multicultural. Many of it’s supporting characters are Chinese, Japanese, Black, and White. It reflects the multiculturalism found in America and (increasingly) in other countries around the world. It may not focus attention on the ethnic characters as much as I’d like but none of them I would say are stereotypical. I mentioned in my review that “Chief” Aramaki, a Japanese character played by a Japanese actor (the great Beat Takeshi Kitano) that speaks Japanese throughout the whole movie, is one of my favorites (pictured below). I think the movie did try to show a world of people of different colors to work together in a much more optimistic way than your typical cyberpunk movie.

Ghost in the Shell Creator

The new Ghost in the Shell is not here to mimic what made the original anime great. Instead, it took the source material and adapted to a more international and contemporary audience. It’s okay with me if the new Ghost in the Shell didn’t work for you. But I feel like I have to explain myself, why I seem to be a minority in how I feel about this movie. I just feel that people are watching the film without reading what it’s trying to say, or worse, not watching it and judging it based on the opinion of others. It isn’t a perfect movie, but it at least got me to not only think about the depiction of race in pop culture but also be a fun and visually stunning movie to watch. I have to give credit to a movie that does that for me.